Archive for August, 2010

Our Favorite Freebies from the Past Week

For today’s news we have collected our favorites design and development related freebies from the the past week and thought they were that good, that we simply had to share them with our readers.

“Buddycons� – Vector Social Media Icons

Buddycons – Vector Social Media Icons

The icon set is called “Buddycons� and includes 126 vector social media icons. Included in the set are PNG versions of all 126 icons in both circular and rounded variations as well as a vector source file for easy resizing. The icons are free to use for personal and commercial usage, however, redistribution is not allowed.
“Buddycons� – Vector Social Media Icons

Free PSD Templates: vCard Personal Portfolio Minisite

Free PSD Templates: vCard Personal Portfolio Minisite

This PSD design comes in 4 pages: Homepage (About), Works (Portfolio), Portfolio Pop-Up, and Contact.
All the pages are in Photoshop (.PSD) format with all layers neatly organized in layer groups for easy identification and editing of the logo, text and graphics.
Free PSD Templates: vCard Personal Portfolio Minisite

Modernist: Free WordPress Theme with Focus on Typography

Modernist: Free WordPress Theme with Focus on Typography

This theme supports widgets, is SEO optimized and has clean and documented code. It loads very quickly, and has various WordPress 3.0 features. Works in IE 6+ and all versions of Safari/Firefox/Opera. The theme is absolutely free to use in private and commerical projects.
Modernist: Free WordPress Theme with Focus on Typography

Typominima: Free typography based minimal WordPress theme

Typominima: Free typography based minimal WordPress theme

Typominima is a free typography based, gorgeous, minimal WordPress theme fit for the writer inside you.
Typominima: Free typography based minimal WordPress theme

Coda Shortcuts Cheat Sheet (PDF)

Coda Shortcuts Cheat Sheet (PDF)

Coda Shortcuts Cheat Sheet (PDF)

By Paul Andrew (Speckyboyand speckyboy@twitter).


CSS3 is not HTML5

There’s been some talk here and there about whether or not it matters that many people tend to mean a lot more stuff than what is actually HTML5 when they say “HTML5�.

Despite being kind of nitpicky about terminology, I can buy bundling stuff like Geolocation, Web Storage, Web Workers, and Microdata with the actual HTML5 specification and calling it all “HTML5�.

But also bundling CSS3 (and even some parts of CSS 2.1) with HTML5? Nope. As Jeremy Keith puts it in Clarification:

Don’t get me wrong: I honestly don’t care that much about whether something like geolocation is technically part of HTML5 or not: that’s a fairly trifling matter. But CSS3? C’mon! In what universe is it in any way acceptable that a web developer wanting to learn about web fonts begins by Googling for HTML5?

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40 New And Useful Adobe Illustrator Tutorials

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The Internet is bursting with knowledge. Whatever you want is available at your fingertips, and learning new techniques is so easy with the load of useful tutorials that guide you step by step. Adobe Illustrator is powerful indeed, but when used right, it can perform feats that humans will marvel at! So today, we present a collection of some fresh and useful tutorials for Adobe Illustrator. The tutorials are done by professional artists and go over the techniques covered in detail.


Fresh Adobe Illustrator Tutorials

How to Create a Medieval Paper Scroll
In this tutorial, you will learn how to create a medieval paper scroll with the 3-D Extrude and Revolve tool. Using texture, you will also learn how to make an object look old and how to map artwork to a 3-D vector object.

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How to Create a Fun Circus Tent Icon
In this tutorial you will learn how to create a simple circus tent icon. You may discover some interesting things about Warp effects. Warp effects are often overlooked in digital illustration, but as you can see, they lead to some really nice results.

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How to Illustrate Deliciously Realistic Grapes Using Simple Techniques
Learn how to illustrate a bunch of grapes using basic Adobe Illustrator tools. You will learn how to render multiple light sources and how to model a complex object using simple shapes and techniques.

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Playing With Vectors in Illustrator
Walk through the process for how the design below was created, after checking out the designer’s first sketch.

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Design a 3-D Digital Clock Icon With Illustrator
This tutorial explains how to create a glossy and stylized digital clock, with basic shapes and nifty gradients, all from scratch in Adobe Illustrator.

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Creating Complex Style Illustrations: A Process
Learn the process of making a tribal-style illustration using only fundamental techniques in Adobe Illustrator. This is more of a process overview than a play-by-play tutorial, and thus some basic skill in the program is needed to follow along.

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How to Create an Abstract Desktop Wallpaper
Looking for an abstract wallpaper but can’t find a color or shape that you like? In this tutorial, you will learn how to create desktop wallpapers using simple geometric figures, the Blending Mode and Gaussian Blur.

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Illustrator Tutorial: Wooden Smoking Pipe
Draw a stylish smoking pipe in Illustrator. You will learn how to create the wooden texture on the pipe and the tobacco and smoke. The steps are simple and hopefully useful.

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Design Symmetrical Character Art
In this tutorial, creative duo LouLou & Tummie show you how to use Illustrator to create a symmetrical, character-filled banner. You’ll hone your skill with the Pathfinder tool to build new shapes and tweak lines to give a sense of flow.

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Create a Briefcase Icon
Create a briefcase icon using rectangles, ellipses and gradients. This icon is great for Web designs and user interfaces, and you can easily apply the techniques to other icons, logos and illustrations.

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Create Lush, Glossy Vector Images
In this tutorial, Thomas Burden shows how you to create vibrant work in Illustrator using a simple color palette and basic blur effects, particularly Illustrator’s Gaussian Blur effects.

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Create CS5 Width Profile Brushes in Any Version of Adobe Illustrator CS!
Adobe Illustrator CS5 has a new option in the Stroke window known as “Width Profile.” This tutorial shows how you to create brushes and use them in any version of Adobe Illustrator CS. You will also learn how to create, save and use your new brushes!

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How to Illustrate an Elegant Bottle of Wine in a Gift Box
Make use of the 3-D tools in Illustrator to create this attractive bottle of wine in a gift box. You will learn how to create the graphic using the Rectangle tool, pen, 3-D revolve and gradients.

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Create a Print-Ready Business Card Design in Illustrator
Illustrator has fantastic tools for creating small print items such as business cards. Walk through how to create a fun business card design complete with illustrated character.

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Creating a Mysterious Cheshire Cat in Adobe Illustrator, Vector Premium Tutorial
In this detailed tutorial, you will learn how to manipulate a reference image to get started and how to use custom brushes to create the fur effect.

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Create a Distressed Vector Typographic Poster Design
Follow the walkthrough of the design process for this “Spectrum” poster. Starting with custom-made type in Illustrator, you’ll move the vector graphics into Photoshop for some serious distressing with Photoshop brushes, blending modes and more!

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Quick Tip: How to Draw a Stylized Motorcycle With Complex Brushes
Learn how to create complex brushes in Adobe Illustrator and how the brushes work together. You will create some interesting effects.

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Create a Detailed, Vector-Based iPhone Illustration, Part 1
Learn how to create a photo-realistic iPhone illustration and every single icon found on the iPhone touchscreen.

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How to Create a Rock Girl with “Beautiful Strokes” in Adobe Illustrator CS5
In this tutorial, you will work with a stock image and the new Stroke settings in CS5 to create this stylized vector portrait. Along the way, you will learn some great tips and tricks on how to strike the perfect balance between form and detail.

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Create Your Own Calendar With Illustrator and InDesign, Vector Premium Tutorial
A calendar is an appealing and practical item to make from your study of Illustrator. In this tutorial, you will create a print-ready 12-month calendar using grunge text, the Linked Text tool, master pages and layers.

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Make Watercolor and Marker Style Portraits With Illustrator
In this tutorial, you will work through ways to create digital portraits that have the unique and somewhat tactile feel of marker and watercolor. This tutorial requires a drawing tablet and Adobe Illustrator. The focus is on technique and technical settings, but the result will rely on your personal style.

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Create an Artistic Scene with 3-D Lightbulbs and Type
Combine Illustrator, Photoshop and Cinema 4D to produce a composition that includes 3-D text, 3-D lightbulbs (created from scratch using only a reference photo) and floral ornaments.

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A Guide to Creating 3-D Text in Adobe Illustrator
Adobe Illustrator is more than adequate for creating 3-D objects with some basic shading for the text. In this tutorial, you will learn how to create 3-D text using Adobe Illustrator and learn techniques for shading the text to give it a clean, consistent, stylized look.

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Quick Tip: A Simple Way to Create Vector Fog
Learn how to make a simple yet effective smoke-like illustration. Using this technique, you can make smoke, fog and clouds in just a few easy steps.

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Make a Grungy Hand-Drawn Festival Poster in Illustrator
Create a grungy, hand-drawn-looking poster with a cassette tape as the focus. You’ll use the Pencil tool to make organic vector objects and patterns in Illustrator.

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Creating a Stylized Vector Environment
This is an advanced tutorial and assumes familiarity with the basic workings of the Pathfinder palette. You’ll learn how to create environments occupied by many objects.

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Create a Remarkable Poster with Decorative Elements
In this tutorial, Sebastiano shows you how to create various decorative elements (including geometric shapes, half-tones, ribbons, 3-D stars and 3-D text) in Illustrator and then merge, compose, enhance and texturize them in Photoshop.

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Create a Trendy Seamless Type Pattern
Create a trendy seamless pattern in Illustrator using some text and icons. Although you won’t go in-depth into creating the icons, you will look closely at creating a seamless pattern swatch. You can easily apply these techniques to other seamless pattern swatches.

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Create a Cute Creature Character From a Sketch
In this tutorial, you’ll learn how to create this cute creature from a sketch. This tutorial uses custom brushes, the Paintbrush tool, Pen tool and Live Paint Bucket tool. Even if you’re not a huge fan of the cuteness, you can still use these techniques for other illustrations, logos and vector elements.

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Illustrator Tutorial: Contemporary Wallpaper Art
Create contemporary wallpaper graffiti, with splashes and motifs. This quick tutorial shows you how to draw florals and create ink-splatter effects. Combine them all to create a stunning contemporary masterpiece

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3-D Golden Text Effect
Create the golden 3-D text effect below. Create text using 3-D Extrude, and clean up the broken shapes. The final step goes over the glow and highlights of the text. This is a great tutorial for beginners to create professional 3-D text effects in Illustrator.

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Discover Tattoo Illustration Techniques
Want to produce clean detailed line work with a hand-drawn edge? Not sure whether to use the Pen tool in Illustrator or a tablet in Photoshop? With his stunning tattoo-style designs, digital illustrator and “part-time thrasher” Chris Parks has all the answers in this tutorial.

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Master Dynamic Gradient Techniques
Build up many elements to create a vector image with real depth and richness. The designer explains, “I spend most of the time picking out colors that match each other to form harmonic color composition. It takes a lot of time, but it’s worth the effort.�

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Create a Tiger-Striped Cat With Illustrator
A step-by-step tutorial on creating a tiger-striped cat in Illustrator

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How to Illustrate Dynamic Hair Using Adobe Illustrator’s Paintbrush Tool
This tutorial shows you how to create a dynamic hair style from a reference image. You will use the Paintbrush tool, basic skin shading and transparent gradients.

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An Illustrator’s Project: From Start to Finish
In this tutorial, Zena walks you through the creation of an art illustration so that you can see what goes on behind a digital illustrator’s work and gain new insight for your own workflow. You’ll go through conceptualizing and gathering ideas, creating the illustration in Illustrator and then finishing the piece in Photoshop.

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Using Symbols in Illustrator for 3-D Effects in Photoshop
Illustrator is a terrific resource for creating symbols. Corey takes those symbols into Photoshop and uses the new 3-D tools to get creative.

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Adobe Illustrator Eye Tutorial
A detailed tutorial on making a beautiful eye.

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Create an Ominous Jar of Purple Ooze
Beef up your Illustrator skills while creating an ominous jar of purple ooze. You’ll find handy tips and techniques for illustrating glass, chrome and toxic ooze.

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How to Draw a Glossy Yo-Yo Icon Using Adobe Illustrator
Entertain yourself by creating a glossy yo-yo icon. You will combine different gradient and object effects to make a hyper-realistic and shiny plastic surface. The result is a perfectly rendered and appealing icon that can be made in just one hour.

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How to Create a Quick Photo Flash Gallery in Photoshop

In Photoshop its possible to easily create interactive photo albums or presentations; be it, Html tables to flash picture galleries for the web. A useful feature for creating online portfolios for personal websites or simple products showcase.

Step 1

First off, create a new folder for where all your images will be stored in and name it ‘Web Gallery.’ You could also use Adobe Bridge within Photoshop to source your images. But we’ll be sticking with the first method right now. Launch Photoshop and open a new document Ctrl+N.Go to File>Automate>Web Photo Gallery.

Step 2

In the Web Photo Gallery Dialog box, select the Gallery Styles as ‘Flash – Gallery 1.’ The thumbnail of every other Gallery appears on the right of the Dialog box.

Step 3

For your source files, under Source Images choose the folder you created earlier on when you click on Browse. Locate the folder, as in my case, the folder was stored in C://Documents and Settings>My Documents>Picture Gallery.

Step 4

For where the final output will be saved, click on Destination to locate your prefered folder or create a new folder by clicking on ‘Make New Folder’ and rename it as ‘Web Gallery’.

This is what the directories of where your folders are located would look like:

Step 5

Still within the Web Photo Gallery Dialog box, under Options choose General and the Extension as .html or .htm.

Step 6

Select Banner and type in the Site Name to whatever you want as your title. Fill in the other fields with information required.

Step 7

Choosing Large Images, you’ll be able able to set the size and picture quality of your images. The state of quality of your images determines their download time when they are live on your web server.Under Title Use you might want to check Title and Description or anything else. These options displays additional information on images when click on.

Step 8

For the Thumbnails (that would appear below the main images), set their Sizes to Large and resolution to100 pixels. Now click OK to generate the gallery.

Step 9

The web gallery launches automatically from your default web browser. If Internet Explorer is your default browser, you may encounter a problem.

Here, you’ll be confronted with a security warning restricting the use of Javascripts that the web gallery needs to run. Just click once on the security warning’s tab and on the pop-up that shows up, click on ‘Allow Blocked Content’ to get the flash web gallery running.


Below you have the flash gallery up and running. It also comes with a nice and smooth transition effect when navigating between images.

On the bottom right corner of the web browser window, are some simple controls . For instance, the button with the question mark when clicked on, reveals the metadata or information that you might have added or embedded in your image. Such information could include description, title and soon. These can be set under the Options: Security>Content: Custom Text. Here you’ll find basic text formatting options like font colour, size, type e.t.c.

You can also embed watermarks unto your images for copyright purposes by selecting Security under Options. (Note: the image below is not mine – its a free stock image from
www.sxc.hu. I’m using it for demonstration purposes alone for this post).

Other Customizations:

To add sound to your presentation or gallery, choose an mp3 file of choice and rename it ‘useraudio’ and have it copied. Head on to the directory where the Flash gallery style in use is (you may have to close Photoshop first). This should be inC://Program Files/Adobe/Photoshop CSx/Presets/Web Photo Gallery. Open the ‘Flash-Gallery 1′ folder and paste your mp3 file in there.

If you’re familiar with basic HTML coding, you further customize the outlook of gallery. Opening your ‘Web Gallery’ folder, select and right-click on the ‘Photos’ XML file and choose the Notepad or any text editing application you might have.

Everything editable in this open XML file. We are just going to edit the obvious – that is, the colour elements in the photo gallery.

For the gallery’s Background colour, change “#0F0F0F0″ TO “#FFFFFF” (white), the Banner’s colour to “#000000″ (black); here the gallery title, authors name,contact info and so on is turned to black. Save the file when you’re done.

The result below:

By David Ella Ella


A Design Is Only As Deep As It Is Usable

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There are well-known proverbs that imply (or state outright) that beauty is superficial and limited in what it can accomplish. “It’s what’s inside that counts” and “Beauty is only skin deep” are a few simple examples. Because the Web design industry is now flooded with a lot of raw talent, and because virtually anyone can create a “beautiful” website, recognizing a truly beautiful website experience is becoming increasingly difficult. What appears beautiful to the eye might in fact be more of a hindrance.

In this article, I hope to provide a clear demarcation between what is perceived by most to be beautiful in Web design and what is truly beautiful, along with some guiding principles to help designers today create websites whose beauty is not superficial, but rather improves and enhances the user experience.

[By the way, did you know we have a free Email Newsletter? Subscribe now and get fresh short tips and tricks in your inbox!]

Gradients, Drop-Shadows, Reflections, Oh My!

A lot of things could fall in the category of “beautiful” or “attractive” in the context of Web design. But a number of factors would make such beauty shallow. Is a website more attractive if it has tastefully placed drop-shadows, gradients or reflections? What if it has an eye-pleasing color scheme? What about big over-designed buttons? Could these be standards by which a design would be deemed beautiful?

If you’ve been keeping tabs on the Web design industry in the last five years, you’ve probably at some point visited one of the many CSS galleries. Visiting those inspirational showcases is great, and I’m sure we’ve all done it, but we need to be careful not to fall into the copycat syndrome, whereby we prettify our websites for no other reason than to make them CSS gallery-worthy.

Mint-screen in A Design Is Only As Deep As It Is Usable
Mint.com has everything a client could ask for in a “Web 2.0 design”. Does that mean it’s beautiful?

The designers, developers and content strategists who planned and executed many of the websites in those galleries did what they did because they felt it would truly benefit the user experience and their clients’ bottom line. The truly beautiful websites and apps in those showcases are not just visually beautiful; they’re usable, accessible and optimized to benefit both the user and website owner.

The Dribbble Syndrome

With the recent popularity of Dribbble, the copycat syndrome might be gaining momentum. On Dribbble, a designer reveals a sample of something they’re working on, and then the style of that small snippet starts spreading. The context and strategy underlying it are unknown, yet the style is still viewed as beautiful in and of itself. The designer may have taken hours, days or weeks to arrive at the decisions that informed the design, but now that it’s out in the wild, the snippet becomes nothing more than eye candy.

Dribbble-screen in A Design Is Only As Deep As It Is Usable
Dribbble shows out-of-context design shots. Is this a bad thing?

Of course, the intent of this article is not to blame those who share their designs on Dribbble, nor to blame those who review these designs and offer feedback. But we mustn’t lose sight of the fact that every design decision should have significant reasoning behind it.

The Style-Less Comparison

How do we measure beauty? If a website is difficult to use, then isn’t its beauty without purpose? Look at the comparison in the image shown below.

Nettuts-compare in A Design Is Only As Deep As It Is Usable
The Nettuts+ logo and navigation bar.

I think Nettuts+ is a very nicely designed website. But is the fancy navigation and logo section shown on top more usable than the plain blue and white version below it? Taken at face value, some might argue that the plain version is more usable (if only slightly) than the “beautiful” one.

Facebook-compare in A Design Is Only As Deep As It Is Usable
The Facebook home page.

While the Facebook home page shown on top might not appear the most beautiful design to many of us, it still contains attractive aesthetic elements (colors, gradient background, styled buttons, etc.). But when most of these minor elements are made plain, does it really affect the usability (of course, after you increase the color contrast for the form labels in the right upper corner)?

If prettiness is really as important as we think, then the current Facebook home page should perform much better than the plain alternative. How do we know, though, that the plain version wouldn’t outperform the adorned version?

What Makes A Design Usable?

I’m not about to make a case for bringing back blue links on a white background on every website. In fact, as I’ll explain, both Nettuts+ and Facebook may very well qualify as truly beautiful websites. The examples above were more illustrative, and not meant to criticize the designers who worked on them.

Rather, I’m encouraging designers to consider two things when adding “beautiful” enhancements to their designs.

  • Responsive and intuitive page elements,
  • Branding and consistency of theme.

Focusing on these two things will give every pixel in a design a purpose and will contribute to the website’s overall usability. Let’s consider both of these, with a few simple examples to illustrate their effectiveness.

Responsive and Intuitive Page Elements Make a Design Usable

If a design element makes a website feel more friendly or gives subtle hints as to what’s happening, then this adds to its usability. Look at the simple example below from Design Informer:

Di-search in A Design Is Only As Deep As It Is Usable

On the Design Informer website, hover over the search box in the top right, and you’ll notice it brightens up. This is not intrusive in any way, and it looks especially elegant in WebKit browsers, because the brightening animates with CSS3. The default look of the search box could be a bit brighter to improve the general usability of the site, but in this specific case the idea counts more than the execution.

This very simple effect conveys to the user that this is a usable element, and it makes the search box more inviting. It’s a ridiculously simple technique but has a very powerful effect.

But just because you can use an animated effect does not mean you should. If, as in the case of Design Informer, the effect makes the UI more intuitive and responsive, then it is justified. This statement by Stuart Thursby sums it up well:

If designers think that using HTML5 and CSS3 makes them a better designer just because they use them, then they’re sorely misguided.

Include an element only if it accomplishes some usability-related purpose. If the design is not made more usable by a particular technique (whether via CSS3, JavaScript or something else), then the designer should reconsider whether the extra code is worth the effort. Decoration only goes so far and often has an effect opposite to the one intended, so consider yours carefully before including it in your design.

Another example of an animation that enhances usability is found on Soh Tanaka’s new website. Look at the screenshot below from this post on his blog:

Soh-hover in A Design Is Only As Deep As It Is Usable

When you hover over any presentation of code on his website, you’ll notice that the block expands to the right (probably via jQuery, so it would work in every browser).

Again, a simple effect, but not just eye candy; it has a purpose. In tutorials, HTML code is often too long to fit in the highlighter, so the code either wraps or creates ugly scroll bars. Tanaka’s solution makes the code more inviting and readable, and it decreases the likelihood of wrapping or scroll bars.

So whether we’re talking about text links that change color on hover, buttons that move when clicked, AJAX that creates subtle yet intuitive effects, we can take a design beyond mere decoration in many ways and truly enhance its usability.

Branding Makes a Design Usable

If an element contributes to a website’s overall branding, image or reputation, then it’s safe to say that it contributes to its usability. Properly planned and executed branding is not superficial or decorative. Carefully chosen colors and graphic elements create an inviting atmosphere that leads the user to make easy decisions and helps them interact with elements smoothly and intuitively.

Look at the screenshot below from 10k Apart:

10k-screen in A Design Is Only As Deep As It Is Usable

The laurel wreath in the background and the distinctive illustration immediately distinguish this website as belonging to A List Apart. Consistency in branding contributes to the usability of this ALA microsite and makes it feel inviting and familiar.

And then we have the beautiful and intuitive design for Launchlist:

Launch-branding in A Design Is Only As Deep As It Is Usable

This screenshot doesn’t do justice to the website’s look and feel; you’ll have to poke around to really experience it for yourself. The design might appear decorative and superficial at first glance, but it’s not. The elements work together to create a consistent and inviting atmosphere, extending the “launch” theme throughout with subtle animations.

Usable Doesn’t Have To Mean Ugly

My purpose here was not to tell designers to forget about slickness, sexiness and beauty. This should be obvious from the beautiful examples shown, which certainly qualify as both usable and attractive. No one expects owners of beautiful websites to suddenly drop their enhancements in favor of the Craigslist look just to make them more usable.

Rather, this post is just a reminder that eye candy is important, but it isn’t everything, and that for a design to be truly beautiful, it has to be functional, have purpose and contribute in some way to the website’s intuitiveness, usefulness and branding. All of these things contribute to the overall effect of a design.

Related Posts

  • In Defense of Eye Candy
    Research proves attractive things work better. How we think cannot be separated from how we feel. The next time a boss, client, or co-worker scoffs at the notion that beauty is an important aspect of interface design, point their peepers here.
  • Looks Matter Because We All Have Feelings
    An article about the importance of aesthetics in web design.
  • Stop Designing Aesthetics, Start Designing Emotions
    Gradients and colors and contrast are all good, but there’s a more important side to web design that many people overlook most of the time: Designing emotions. A beautiful article on Web Designer Depot.
  • Stop Inspiration Hunting When Designing
    There is definitely a difference between looking at sites for research purposes when beginning a design versus looking at sites just to find some cool stuff you might be able to use. Nice article on Drawar.
  • Web Design? Screw Aesthetics
    “When I talk about design I try to do more than mention the aesthetic/visual aspect of it, but it seems people tend to focus on that aspect the most. Web design however adds many more elements to the elegant answer that we are so frantically searching for.” Another interesting article on Drawar.

(al)


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