Archive for October, 2010

The User Is The Anonymous Web Designer

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We invest time, money and effort into understanding our audience, and the movement toward a more socially networked Web has made us realize the power that visitors have over how our designs are engineered; and we try to meet their ever-growing needs. Community is integral to the evolution and functioning of a website, and visitors and website owners have become dependent on each other. This reflects a change in the industry: the user has turned into an anonymous designer.

This article will explore the influential figure ‘user’ and uncover the power of your community. Whether you boast social applications, interactivity or a stream of regular visitors, your audience might be a powerful untapped resource at your fingertips. You, the website owner, have the power to make decisions and override them (for better or worse), but the user deserves to be recognized as more than a statistic.

[By the way, did you know we have a free Email Newsletter? Subscribe now and get fresh short tips and tricks in your inbox!]

Traditional Roles

Back in the Web’s infancy, the roles of the Web professional and visitor were clearly laid out. Technologies such as email, bulletin boards and Internet Relay Chat (IRC) rooms existed, but most Web users were technologically inclined — cost and complexity of computers and Internet access were the biggest obstacles for many in the early days. Additionally, website were simple and the power of users was restricted; users had little sway with designers and developers.

The Professionals

The role of the Web professional used to be — famously, in the ’90s — to build websites that delivered certain information. Asking the user for feedback was an afterthought; this was evidence of the commonly held belief that we, the experts, knew what was best for users. Usability and accessibility were a luxury, and many website providers ignored them in an attempt to control the way the medium was used.

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Historically, the Web professional’s role was to maintain websites.

The following were considered the primary tasks of the Web professional:

  • Providing content and services to the client;
  • Creating a website to hold the information;
  • Dealing with technical requests about the information.

The Audience

Traditionally, the role of the audience was to give feedback, but it had — and still sometimes has — no influence on the website. The romanticized notion that a website owner should do whatever they want is to blame. In the past, a website’s popularity was determined mostly by content; marketing was restricted to directories and search engines; empowering the user and improving the feedback process was far from the designer’s mind.

The following were considered the primary tasks of the user:

  • Give the owner financial incentive to continue offering the service.
  • Popularize or endorse the website;
  • Put the professional’s creation, free or not, to good use.

Those times have (mostly) come and gone. Without visitors, our websites would hardly exist, and when we realize that, we will abandon our old-fashioned ways and quit imposing our assumptions on users. Visitor interaction has become vital to the experience of a website, and the need for positive feedback — now visible everywhere and uncontrollable — has reversed the roles: our audience now has the voice and tools it needs to be satisfied.

Playing The Part

It has become important for us to define what roles the Web professional and user play in the dynamic process of building and improving websites, especially given the new-found focus on user experience and the development of tools that allow visitors to engage with and become attached to our services. Furthermore, ensuring that these roles are, in fact, played is essential to the process.

The Professionals

Professionals hold the keys to the castle. While many designers focus on the result, understanding what audiences need, what problems need swift solutions, which visitors require these solutions and how best to implement them is paramount. You might have some control over your users, but they can still dampen your popularity.

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The user experience should actually serve the needs of users.

Here are some skills that professionals bring to the table:

  • Knowledge of how to build a website and how it works;
  • Experience with anticipating user needs;
  • Delivering services and content that users need.

The Audience

Audience members play a different role. Most websites don’t offer a broad spectrum of customizable features (for good reason) or feedback options that give insight into how visitors use the website or what they’d like to see improved — specifically, what they’d like to see improved that would make them return on a regular basis. Word of mouth has become a serious force on the Web with Twitter, Facebook and their kin; and while you control the code, they control users’ wallets, attention and referrals.

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Visitors know what they like, and negative feedback can spread quickly.

Here is what visitors contribute:

  • Essential feedback on core service failings;
  • Word-of-mouth promotion;
  • Knowledge of what works, not just what’s pretty.

The roles of professional and user can be reversed on occasions when one expert helps another improve their website, resulting in a mixture of a professional perspective and visitor-oriented goals. Being both visitor and expert gives you empathy for the user and a valuable perspective, especially if you’re lucky enough to be in a position of power.

Nature Versus Nurture

Both sides bring goods to the table. Professionals bring the service and content into existence, thereby providing the “location for the party.� New visitors share vital details about how you can encourage them to be more involved, and they spread your website to the masses. Maintaining equilibrium between the professional and user is required if your Web presence is going to survive.

The Professionals

As it stands, the professional designer still plays the traditional role, but it should be expanded to encompass the evolving needs of our audience. The ability to nurture and cultivate is a skill ignored by many in our industry. In the past, “If you build it, they will come� described the Web fairly accurately, especially given the limited competition, but easy enterprise and designing for yourself have failed by their own merit.

Here are some problems that face a Web professional:

  • Subjective opinion;
  • Too many tasks to be able to master one;
  • Fixated on success and reward (depending on the service being offered).

The Audience

Even if your visitor has no understanding of Web design, they will know what works for them, so you should encourage them to share their ideas. You can do this through code, design, experience and interactivity (or functionality). Playing to your audience’s strengths makes sense (if only to avoid the MySpace effect: going stale).

Some of the problems facing users are:

  • Lacking knowledge of the Web’s limitations;
  • Their diverse backgrounds and characters lead to quirks;
  • Subjective opinions.

Survival of the fittest is the name of the game, and with the increasing pressure to focus on the needs of users and encourage them to connect to your services, it’s important that your designs are user-centric: contextual and interactive. The anonymous designer who knows what they want is well equipped for the Internet’s future. We can’t overlook users as we did in the past.

Elements Of Success

At this point, you’re probably wondering why we should place so much trust in users. That’s a fair question. Distinguishing between constructive advice and useless drivel can be difficult when many users don’t even know what a Web browser is, and determining the relevance of reviews is a challenge when manipulation is commonplace. All interaction with users should be done with respect (and perhaps a grain of salt), but it’s still worth encouraging the crowd to take action.

The trick is to use your knowledge (from statistics to semantics), experience, research and trust (of information sources) to your advantage.

By using a mixture of both quantitative data (numbers, statistics, etc.) and qualitative data (opinions, ideas, etc.), you can make informed decisions about what will work best for your clients. Putting the onus entirely on visitors is unfair, but giving them a channel for input will make a difference. If you don’t please them, they’ll surely take their business elsewhere.

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The ABCs of experience: appreciation, balance and communication.

A few of the ideas you get from users are bound to be cringe-worthy, but it’s surprising how many good ones you’ll get if you implement feedback functionality properly. The stereotypical designer who leads with his gut is a testament to the lack of awareness of user expectations and needs. We must acknowledge this co-dependency, this need for an exchange of perspectives, and the value of the anonymous designer.

Appreciation

Your visitors are so much more than statistics. They deserve to be appreciated. You, the professional, can re-engineer a website until the cows come home, but it’s ultimately up to users to decide whether to make use of your services. Acknowledging and understanding their needs, and encouraging diversity, is critical to breaking down barriers.

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Appreciate your users and the issues they might encounter, and be patient. That also means having a clean, attractive design that communicates. Example: EightHourDay

Ask your visitors the following questions:

  • What, if anything, could my website offer to better meet your needs?
  • Do you have any technical difficulties with the way the website functions?
  • What more could we offer to deliver additional value?

Balance

Balance is integral to life, and it’s probably more critical to design than other Internet-related fields. Designers forge open bonds with visitors that often lead to social relationships that enrich not only our websites but our lives. Visitors hold greater value for our communities than many of us care to admit — think of Wikipedia or Facebook. Maintaining good relationships with them is paramount.

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Stay level-headed by maintaining the balance between contribution and ownership.

Ask your visitors the following questions:

  • How can we encourage you to participate more often?
  • What content or services would you like to see in future?
  • How much time do you spend on our website?

Communication

Communication is fundamental to our social and interactive experiences on the Web, and the staggering amount of rich content (not even counting spam!) that visitors contribute could exceed our wildest dreams. The user’s job is to come forth and help us help them, but our job is to act as intermediaries between them and the website so that they achieve the ideal experience. We are the Web’s “interpreters.�

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Communication is paramount. Make sure you can be contacted easily.

Ask your visitors the following questions:

  • Are we missing an essential feature that would help us help you?
  • Do you have any concerns or complaints that we need to address?
  • Is there anything you want to ask about our website or services?

The Sociological Switch

Of all that has been addressed in this article, the most important is the process of planning and implementing mechanisms for visitors to interact with your services. So, put time and effort into studying how to make your website better. There are many methods of doing this (audits, surveys, statistics). What’s important is that lines of communication with your users stay open, so that you can go about your business successfully.

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Planning and research make up a huge portion of the creation of the user experience.

The future of the Web will be about being socially connected, and a role reversal that I call the “sociological switch� seems to be taking place. Simply put, we Web professionals are becoming the audience of our users’ demands, and users are becoming anonymous designers, deciding where they visit, how the Web should evolve and how media are constructed and consumed.

As you leave comments below, just think that by contributing here, you’re making a difference in Smashing Magazine’s relationship with its audience and the world. By leaving space for your comments and your participation, Smashing Magazine is trying to meet your needs. Think about how you can use your audience to your advantage and improve design beyond even your own expectations.

(al)


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An Unofficial Guide to the HTML5 Boilerplate

The HTML5 Boilerplate describes itself as “A Rock-Solid Default for HTML5” this is why we thought it would be useful to dive right into it and look at just what makes it such a great “base HTML/CSS/JS template for a fast, robust and future-proof site“.

Getting The Code

The latest version of the code itself can be found at html5boilerplate.com, where you can download the latest commented or un-commented builds. If you scroll down a bit there’s also a well-highlighted version of the code which makes it really easy see just what it’s up to.

Getting Started – index.html

The first few lines the file will probably be a fairly common sight by now, the html5 doctype, the language defined on the html element and the new html5 charset declaration.

IE Comment – Fixing a performance issue

The first interesting snippet we come across is an empty html comment containing an if statement. This line of code simple checks if the browser is, in this case, any version of IE and if so executes whatever is inside the comments. That being, nothing.

<!--[if IE] >< ![endif]-->

This is simply to prevent a performance issue where a conditional comment would, in IE, cause the browser to download one file at a time rather than simultaneously, thus slowing page load times.

Making sure the latest version of IE is used

Versions 8 and 9 of Internet Explorer contain multiple rendering engines, this means that it’s possible to get stuck with a rendering engine other than the latest, so to fix this:

<meta http-equiv="X-UA-Compatible" content="IE=edge,chrome=1">

The meta tag simply tells the IE rending engine that; firstly, it should be using the latest, or edge, version of the IE rending enviroment, and that secondly, if already installed, it should use the Chrome frame’s rending engine. This just ensures that anyone browsing your site in IE is treated to the best possible user experience that their browser can offer.

Mobile Viewport – Creating a mobile version

The next key line that’s worth looking at is the Viewport meta tag:

<meta name="viewport" content="width=device-width; initial-scale=1.0; maximum-scale=1.0;">

As the comments above it (see the commented and online versions of the boilerplate) explain there are a few different options that you can use with this meta tag, if you’re interested you can find out more at j.mp/mobileviewport (the Apple developer docs).

The two icons

The next few lines reference both the favicon and apple touch icon:

<link rel="shortcut icon" href="/favicon.ico">
<link rel="apple-touch-icon" href="/apple-touch-icon.png">

Both of these are used by multiple browsers and devices. The favicon.ico file is used on tabs, in title bars and bookmark menus of all the major browsers whilst the Apple Touch icon is used on all Apple’s iOS devices as well as by some, ironically enough, Android devices.

CSS Media and Caching

The CSS link is fairly straight-forward though it is worth mentioning that the media=”all” tag is implied simply by not including it. The interesting part of this link is the use of a query string ?v=1 on the end of the CSS url. This serves to force the browser to refresh its cache of the CSS each time this number is incremented as, so far as the browser can tell, a different file is being served.

This trick comes into its own when dealing with a site where regular updates to the CSS are commonplace and ensures that users are always seeing the latest version of the CSS, just be sure to increment the version number when you upload the new version of your stylesheet.

The second stylesheet reference is there for browsers, like Opera Mini (the lighter-weight younger brother of Opera Mobile), which aren’t as feature rich as the Mobile Safari and Android mobile browsers. This stylesheet is for anyone who’s still stuck on WAP, spare a thought.

Modernizr, Javascript and HTML class’

Modernizr is a Javascript library which hooks into the class attribute of the html tag (Line 2 in both versions of the boilerplate) and generates some useful classes as well as setting up all browsers to handle HTML5.

You would be forgiven for wondering why the HTML5 Shiv or Shim project hasn’t been included in this template, after all it uses Javascript to fix the issues IE and others have with rending HTML5. Actually the HTML5 Shiv is included, it’s a part of the Modernizr project, but that’s not all Modernizr does.

As well as improving HTML5 support, Modernizr also adds a series of class names to the html tag, where it initially says no-js, according to the browsers support for CSS3 and HTML5. This allows you to target parts of your CSS at only supporting browsers, leaving the rest to serve the plainer, albeit functional, version.

The Modernizr script is the only Javascript file loaded at the top of the document simply to keep page load times down, if a script is slow to load from an external server, it may cause the whole page to hang, this is avoided by calling any Javascript at the end of the page. That said, the Modernizr script needs to run before the browser begins rendering the page so that browsers lacking support for some of the new HTML5 elements are able to handle them properly.

After the Head Tag

IE body tag classes

The final part of the pre-content boilerplate is a series of ‘if’ statements detecting the IE browser version and applying the relevant class to the body tag. The benefit of this is that it allows CSS fixes for specific IE version without hacks such as:

div.this_element { float:right; margin-top: 10px; *margin-top: 5px; }

Which are commonly used to overcome bugs in the IE6 rendering engine and can be replaced, when using Modernizr, with:

div.this_element { float:right; margin-top: 10px; }
body.ie6 div.this_element { margin-top: 5px; }

The content of the boilerplate

The central part of the boilerplate template is pretty much empty. Paul Irish, one of the creators, explains that this is intentional in order to make the boilerplate suitable for both web page and web app development.

The Javascript

Towards the bottom of the page we find the final few lines of code, beginning with the jQuery library. Regardless of which Javascript library you make use of in your projects it is well worth the time and effort to look up and reference the Google CDN (Content Developer Network) version. In part because your users may already have this version cached in their browsers and also because the CDN will be far faster then your server could ever even dream of being.

The following line provides the page with a fallback should the CDN version of the jQuery library not be available, likely only if you are offline, this is one part you really can feel free to include or leave out at your leisure.

The next few line of code wrapped within the IE conditional statement:

<script src="js/dd_belatedpng.js?v=1">

Are a common fix for the IE6 issue with .png images, again if you aren’t bothered about supporting IE6 you can drop this part like a hot potato. If you do want so support IE6 then you can find more information on using this fix over at Diller Design.

Next up we get some code from Yahoo – we really are going round the houses today – which allows site profiling, like in Firebug or the Safari/Chrome developer panel, but which works cross-browser, including IE.

Finally we get the latest version of the Google Analytics tracking code, this latest version not only includes a few new handy tricks from an Analytics perspective but it also loads faster than the previous version. Google recommends that this script be placed at the top of the page, however it’s a matter of personal preference and whilst placing the script at the top will count users who don’t fully load the page, it does mean your page load time will take a slight hit, at least until anything shows on screen.

The End of Our Journey

That’s pretty much all there is to the index.html file in the boilerplate. If you head over to html5boilderplate.com there are numerous links to articles on each line of code, so if there’s something you really want to get stuck into it’s well worth the time.


35 Fresh Photo Effect Photoshop Tutorials

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With the help of Abobe Photoshop you can turn your usual image to an interested photo artwork. In this post we present a couple of recent useful photo effect Photoshop tutorials that may help you improve your skills and enhance the quality of your artworks.


Combine Stock Photography to Create a Sleepy Japanese Village in Photoshop
We often talk about what an incredible tool Photoshop is to create imaginary scenes from stock photography. In this tutorial, artist will create a sleepy Japanese village in Photoshop by combining several stock photos.

1 in 35 Fresh Photo Effect Photoshop Tutorials

The creation of “A Life Of Aquatic Sounds�
In this tutorial artist will show you how to create “A Life Of Aquatic Sounds�. They realize it using a variety of blending mode tricks, photo filters and other useful Photoshop techniques.

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Create a Dark and Gloomy Photo Manipulation in Photoshop
Photoshop is great because it allows us to combine several images into a scene that can’t always be created in real life. In this tutorial artist will demonstrate how to combine several stock images into one gloomy scene.

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Money Style Illustration in Photoshop
So in this tutorial artist will show you a nice technique to create a simple money style illustration using a regular photo, it’s not as perfect as the money illustrations we see in the dollar bill for example, but it’s a quick tip.

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Playing with Displace Filter in Photoshop
So in this tutorial, or a quick-tips artist will show you how to create a curtain made of bricks or how to deform a brick wall as it was a curtain. To do that artist will use a few stock photos, layer adjustments and the Displace filter in Photoshop CS5.

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Create an Eerie Underwater Composition in Photoshop
Sometimes certain scenes are too expensive, dangerous, or even impossible to photograph. This is when people often turn to Photoshop. In only a little bit of time, you can create a very realistic looking image. In this tutorial artist will create an eerie underwater scene.

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Create a Moonlit Night Scene in Photoshop
Photoshop is an excellent tool to combine several photos into one seamless image. In this tutorial artist will use different tools and techniques to create an abandoned automobile in a moonlit night scene in Photoshop.

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Create a Dark and Rainy Crime Scene in Photoshop
We can all imagine what a dark and rainy crime scene looks like. We have all scene them in television and movies. In this tutorial artist will show you how to use different tools and techniques to create a scene of our own in Photoshop.

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Create a Surreal Atmospheric Phone Booth Scenery
In this tutorial artist will be creating a Surreal Atmospheric Image from these 2 source images.

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Distort Paint Splatters to Construct a Unique Photo-Manipulation
In this tutorial artist will show you how to distort paint splatters using the polar coordinates tool, and then blend various images together using masking techniques and adjustment layers.

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Quick techniques to create a panorama in photoshop cs5
In this tutorial artist will show you about panoramas and the very basics in levels adjustments to make our images pop in ways they maybe never have!

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Create Beautiful Surreal Photo Effect via Cloud, Star and Vexel Hair in Photoshop
In this tutorial, artist will show you how you can Create Beautiful Surreal Photo Effect via Cloud, Star and Vexel Hair in Photoshop.

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Create a Cosmic Love Goddess With Photoshop CS5
Photoshop CS5 includes several new features to help improve your workflow. In this tutorial artist will demonstrate how to create a cosmic love goddess using some of Photoshop CS5′s new tools including the Refine Edge Feature which really helps to streamline the process of masking and removing objects from their background.

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How To Create A Beautiful Sunset Over A Hill
In this tutorial, artist will show you how to use a series of images to make a beautiful, sunset over a hill. We will also add an old abandoned boat to increase the atmosphere.

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Use Puppet Warp in Photoshop CS5 to Tweak Your Images
Photoshop CS5′s new Puppet Warp feature can be extremely useful if you need to make minor adjustments to your photos. In this tutorial artist will demonstrate how to correct a Photo with this new tool in minutes.

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Create a Magical Flaming Heart Illustration in Photoshop
The Warp feature in Photoshop can be a powerful tool if you know how to use it correctly. In this tutorial artist will demonstrate how to combine a few stock images to create a magical flaming heart illustration.

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Create an Adrenaline Filled Car Chase Scene
In this tutorial artist are going to use many techniques to turn several stock photos into an action packed car chase scene with explosions and weapons fire

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Remove a Person From a Photo With Photoshop CS5’s Content Aware Feature
In this case artist will choose to remove a person from a photo,with the help of  new features called Content Aware this can be done in less than five minutes. With the additional image enhancements this tutorial will take you less than 10 minutes to complete.

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Create a Refreshing Beer Themed Poster Design in Photoshop
When you create a print advertisement, it’s important that all the elements of your composition are geared towards selling a product and promoting a brand. In this tutorial artist will demonstrate how to create a refreshing beer-themed poster design in Photoshop.

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Playing with custom brushes to create magical scenes
In this tutorial artist will show you some powerful features of brushes. Start with a musical note shape to create a custom brush and deal with some options like shape dynamics and scattering.

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Create amazing cosmic-inspired scene in Adobe Photoshop CS5
In this tutorial artist will demonstrate how to use fashion photography and various techniques to create a cosmic-inspired scene in Adobe Photoshop CS5.

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Apply a Vintage Effect to Several Images Using Actions
In this tutorial artist will demonstrate how to create an action and apply it to several images using Photoshop’s batch process function.

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How to Smooth Skin Without Losing Texture in Photoshop
There are several ways to smooth skin in Photoshop. All to often, however, skin can appear too smooth, fake, and synthetic. In this tutorial artist will demonstrate a straightforward technique to help you smooth skin fairly quickly while preserving the texture of the pores.

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Create a Surreal Turtle Image
This tutorial shows the creation of one of my images. It shows how I adjust lighting and colours in my images to create this surrealistic turtle.

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Meteorite Impact Photoshop tutorial
In this tutorial artist will show you how to create a building hit by a meteorite. artist will show you how to create a realistic smoke trail and a meteorite using only Photoshop filters and custom brushes.

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Reconstruct a Face to Make it Match a Custom Skull
In this tutorial, artist will show you how to use layer masking along with the burn tool, brush tool, pen tool, and various others to recreate a face to match a skull.

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How to Simulate X-Ray Photography in Photoshop
In this tutorial, artist will show you how to simulate an x-ray image in Photoshop.

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Having Fun with Vectors, Custom Brushes and Stock Images for a Nature-Themed Girl Composition in Photoshop
In this tutorial, artist will show you how to have some fun with vectors, custom brushes, and stock images to create a colorful and eye-catching nature themed girl composition in Photoshop.

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Creative Styling for Your Car
In this tutorial artist will show you how to make interesting styling and cool looking aerography for the car in Photoshop

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How to Mix Hand Drawing Sketch With Photo
In this Photoshop tutorial artist will show you how to create nice unique photo effect from sketch and your photo. artist will use many tools in Photoshop and also you will need some skills in drawing as to create this effect you will need to draw sketch.

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Create Beautiful Mystery Grunge Effect in Photoshop
In this Photoshop tutorial, artist would like to tell how to make a beautiful mystery grunge artwork, using some stock images and brushes.

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How to create Halloween illustration in Photoshop
In this tutorial artist will going to show you how to create Halloween illustration using simple tools and techniques like Pen Tool, Brush Tool, Layer Style, etc. in Adobe Photoshop.

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Giving your Photograph an Antique Look
In this tutorial artist will show you how to make a photograph look aged.

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Correcting Exposure with the Shadows & Highlights Tool
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Bokeh Background Effect – Photoshop Tutorial
Here artist will be showing you how to create a background bokeh effect to bring the foreground into sharper focus.

35 in 35 Fresh Photo Effect Photoshop Tutorials


Create a Shattering Angel effect in Photoshop

In this tutorial, we’ll be creating a highly dramatic scene with a disintegrating statue of an Angel. The end result would be an intense composition of the Angel seemingly coming to life as Gradients, blends, and a set of unique brushes are used to enhance the image of the Angel statue.

Step 1

We start off with a document size of 1200 x 900, a resolution of 140 dpi and a black background. Open and drag into the new document, a statue of an Angel. This one below can be downloaded from www.sxc.hu

Step 2

To extract the Statue from its background, we’ll use the Magic Wand Tool(M) and click on the background sky. Hit Delete to clear each selection made. If you prefer, the Magnetic Lasso Tool (L) can be used instead.

These result below:

Step 3

Use the Clone Stamp Tool to copy certain areas of statue and have them pasted over the an extension of the left wing of the Angel. Hold the ALT key when selecting plain area, then release and click on the wing to remove it.

Step 4

Press Ctrl+Shift+U to desaturate the Statue and go to Image>Adjustments>Brightness/Contrast and set the Contrast to 80.This in effect, defines a lot more the highlights and shadows.

Step 5

We’ll now select the cross using the the Pen Tool (P). When done, right-click within the Pen outline and choose Make Selection. Press Ctrl+C to copy the selected cross and then, create a new layer. Hit Ctrl+V to paste the copied the selection into the new layer and name it ‘cross.’ Hide this layer for now.

Step 6

Select the Smudge Tool and set its Strength to about 50% to 65%. Use increased strengths (about 60%)for extensive
smudge(s).

Step 7

This step I must say would take a little time and series of ‘undo’ to complete. You need to employ a good eye for details. For the Eraser Tool (E), select a Spatter brush and gnaw away carefully the smudges close to the edges of the statue itself. Try using different brush sizes as well – 14 px to 65 px.

Step 8

Next, go on further to modify the Spatter brush by bringing up the Brushes Palette (Go to Window>Brushes if not visible) and select Scattering Brush Preset. Set the Scatter to 475% to increase its randomness.

Step 9

Now, methodically erase away the edges of the smudges into something like shimmers. The final result should like the statue disintegrating from its edges as shown below:

Step 9

Create a new layer and select the Gradient Tool (G). Go to the Gradient’s Options bar and select a Reflected Gradient and click the gradient to bring up the Gradient Editor. On the Gradient Presets, select Spectrum; Type as Noise; increase Roughness to 90% and check in Options, Restrict Colors/Add Transparency.

Step 10

Drag the Gradient Tool from the centre of the Angel Statue. Press Ctrl+Shift+U to desaturate the Gradient effect.

Step 11

Lighten the rays a little using the Levels command (Ctrl+L) and add a Gaussian Blur with a Radius of 0.7px.

Step 12

On the ‘rays’ layer, set the Blend mode to Color Dodge.

Step 13

Make a new layer above the ‘rays’ layer and select a large Soft Round Brush (#cfd8f6). Follow up with a smaller white brush and paint over the previous one.

Step 14

Set the layer’s Blend mode to Color Dodge.

Step 15

On the ‘rays’ layer, use the Eraser Tool at an opacity of 75% to erase round the rays.

Step 16

For the fun part (well, for me) download the set of Debris brushes from qbrushes.net. Paint in separate layers on the left, (Brushes – D11 and D14) and a right, (Brushes – D17 and D17). Erase or fade at your discretion excess debris paintings.

Step 17

Select the Rectangular Marquee Tool (M) and on its Options bar, select ‘Add to Selection’ to make make multiple selections at points of the debris.

Step 18

Go to Filter>Blur>Radial Blur and set the Amount to 5; the Method to Zoom; the Quality to Best.

Step 19

Create a new layer and paint more debris on both sides of the Statue and blur as in Step 18.

Step 20

Download the Odysee brushes by Axeraider from axeraider70.deviantart.com. With a Foreground colour #92a0ea, select the the Odysee brush (Samplebrush 8). When painting a second ‘ghostly wing’, preferably in a new layer, press Ctrl+T to transform it; selecting Flip Horizontal make it face the opposite direction.

Step 21

In a new layer below all other layers but above the background layer, create clouds for it by going to Filter>Render>Clouds. Set the layer’s Blend mode to Color Dodge.

Step 22

Erase the top and bottom areas of the clouds in a way that the remaining clouds appears as stretch of clouds. The eraser’s opacity should be set at 70%.

Step 23

Set the foreground colour to #c0d5dd and select the Custom Shape Tool (U) from the Tools bar. On the Tool’s Options bar, select ‘Fill Pixels’ and ‘Circle Thin Frame’ from the Shape drop-down menu. Draw the shape in a layer above the ‘clouds’ layer.

Step 24

Set the blend mode of the drawn shape to Vivid Light.

Step 25

In a new layer above the statute, use a white Soft Round brush to paint around the head of the statue.

Step 26

Set the layer’s Blend mode Soft Light.

Step 27

Enable the ‘cross’ layer we hid earlier. Double-click the layer for a Layer Style. Adjust the values of the Color Overlay, Inner Glow, Outer Glow styles as shown below:

The result:

Step 28

We’ll add smoke to the glowing cross using the Smoke Brushes fromfalln-stock.deviantart.com. I used a combination of two brushes and erased slightly the edges of the smoke.

Step 29

For the ’smoke’ layer, add a Gradient Overlay Layer style. Edit the Gradient’s Color Stops as shown below:

The resulting effects:

Step 30

Above the ’smoke’ layer, paint over the smoke where top end of the cross is, with a white brush. Set this layer’s opacity to Soft Light. This adds a highlight to the cross.

And there we have it! TheAngelos! In old Hebrew tradition, there’s the belief, though referred to as unauthentic, of an Angel called Uriel that means ‘fire of God.’ In John Milton’s epic poem, Uriel is being described as the ‘Regent of the Sun.’

Below is a variation of the same composition.

By David Ella Ella


After a long under-the-hood tweaking, I’ve re-opened the…



After a long under-the-hood tweaking, I’ve re-opened the SimpleBits Shop. Our friends at Acme Prints are once again handing both the printing and fulfillment of orders now, which will free me up to create more designs, or plan that pretzel stand I’ve always dreamed of openin—Oh. I mean other things.

Along with the re-opening, there’s a brand new shirt available: The Bit Monsters Tee. Three, handcrafted pixel beings in orange on a brown shirt. Simple. And just in time for Halloween.


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