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Multivariate Testing in Action: Five Simple Steps to Increase Conversion Rates

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The attention span on the Web has been decreasing ever since Google had arrived and changed the rules of the game. Now with millions of results available on any topic imaginable, the window to grab a visitor’s attention has decreased significantly (in 2002, the BBC reported it is about 9 seconds). Picture yourself browsing the Web: do you go out of your way to read the text, look at all the graphics, and try to thoroughly understand what the page is about? The answer is most likely to be a straight “no.” With bombardment of information from all around, we have become spoiled kids, not paying enough attention to what a Web page wants to tell us.

We make snap decisions on whether to engage with a website based on whatever we can make out in the first few (milli)seconds. The responsibility for making a good first impression lies with designers and website owners. Given that the window of opportunity to persuade a visitor is really small, most designs (probably including yours) do a sub-optimal job because the designer in you thinks in terms of aesthetics. However, most websites do not exist just to impress visitors. Most websites exist to make a sale. Whether it is to get visitors to subscribe to the blog feed, or to download a trial, every website ultimately exists to make a sale of some kind.

In this post we will talk about how to tweak a website for generating more sales, downloads, membership (or any other business goal) in a scientific manner, using A/B split and multivariate testing. Like everything else science-related, this article will explore a step-by-step, reproducible method for increasing your conversion rate (the percentage of visitors converted to customers). Also, you may be interested in the Ultimate Guide to A/B Testing that was published earlier here, on Smashing Magazine.

Step 1. Identify a Challenge

How to have website visitors notice your offering, then get them to act on it? I wanted to answer that million dollar question for a software download page on my personal homepage. That page had all the right ingredients: product name, product description, testimonials, awards, ratings and a prominent download link. Yet, only 40% of the visitors downloaded the free software. Note that almost all traffic on that page was targeted as it arrived, either through doing a Google search or via a relevant referring website. So, why didn’t the remaining 60% of visitors download the software? Fixing that leaky bucket was my challenge.

Pdfprod in Multivariate Testing in Action: Five Simple Steps to Increase Conversion Rates
Key point: Clearly identify the goals of your website (or a particular Web page).

In my case, the desired action is to have visitors download the software and the challenge is to increase the download rate from 40% to as high as possible. Some of the most common challenges which can be solved using A/B split testing are:

  • Improving sign-up rate, reducing bounce rate, increasing newsletter subscriptions,
  • Increasing number of leads collected from landing page, increasing whitepaper or software trial downloads and
  • Optimizing purchases and sales, converting a higher percentage of visitors to customers.

It is entirely possible that your website may be serving multiple purposes. An example would be a blog where the challenge is to get more subscribers and to increase visitor engagement (in terms of number of comments). In that case, the best strategy is to tackle one (clearly defined) challenge at a time.

Abtesting-small in Multivariate Testing in Action: Five Simple Steps to Increase Conversion Rates
Quick overview: A/B Testing. Large version

Step 2. The Hypothesis

The next step is to make a list of hypotheses for the low conversion rate (percentage of visitors taking the desired action). Agreed, it is tough to come up with exact reasons (that is why we are calling them hypotheses) for a low conversion rate, but there are three excellent resources to help you:

1) You: Yes, you! Though it is hard not to fall in love with one’s own website, it is now time to be extremely self-critical. Try to step into your visitors’ shoes and ask yourself, is your Web page compelling enough to engage a visitor with no background knowledge about your offering? Remember that unlike you, your visitors don’t wake up in the morning saying, “Oh wow, this thing is fantastic!â€� Being critical towards your own website is an excellent way to improve it.

2) Web analytics data: Another source for getting a list of improvement ideas is your analytics tool. Specifically, data on referral sources and search keywords can provide interesting insights. For example, a lot of visitors may be arriving on your webpage by searching for keywords which you haven’t even thought about. In that case, your visitors may leave the website mistakenly thinking that your offer is not what they were searching for. Addressing such cases can increase the conversion rate.

3) Usability testing: Getting independent feedback from a usability test will always surprise you! Perhaps you will discover that visitors are not even aware that you are offering something on the page. In that case, a great idea would be to test the color and size of a prominent call-to-action. If you don’t have a large budget for usability testing, try out affordable services such as Feedback Army or UserTesting.

Key point: Determine what influences conversion rate.

Take feedback from others but evaluate your Web page honestly, and jot down a list of ideas on what could be affecting conversions. For my software download Web page, I had a hypothesis that the download rate was low primarily due to two reasons: a) a lot of visitors didn’t notice the download link and b) many didn’t know that the software is free to download.

My guess was that a normal visit went something like this: a visitor arrives at the website, sees a bunch of text, looks around for the download link, somehow misses it (possibly due to uniformity in color of headings), and finally leaves the website. Those who notice the download link probably don’t go to the trouble of reading the text, where it says “… is a freeware…�, so they assume that the software is a trial or a demo.

The kinds of hypotheses you may have at this step:

  • Maybe your sign-up form is too long, and a shorter version will help increasing total number of sign-ups?
  • Maybe your “Free Trialâ€� button isn’t noticeable; will a larger button help in more downloads?
  • Maybe your headline contains a lot of industry acronyms, or is too generic?
  • Maybe your landing page has no obvious next step, which is leading to high bounce rate?

Step 3. A/B or Multivariate Testing?

Once your list of possible reasons for low conversion rate is ready, it is time to crank your brain once again to come up with different ideas for addressing those reasons. What you do in this step, is to come up with multiple different versions for all the factors you came up with in the last step. For the “Sign Up” case, for example, different versions will be:

  • Form variations: Minimal form with just two fields; form not asking for email address; multi-step form; long form.
  • Submit button variations: “Submitâ€� or “Sign Up for Freeâ€� or “Instant Signupâ€� or even “Sign Up Now!â€�

If you are skeptical that such minor differences cannot make any significant impact on conversions, read a case study where 37Signals increased sign-ups by 30% by testing a simple headline change. Also read how Dustin Curtis increased his Twitter followers by 173% by simply changing the link text to “You should follow me on Twitter.�

A/B Split Testing

In A/B testing (also known as split testing), you vary only one element on the page at a time. This element may be any part of the Web page critical to conversions (e.g. button color, size, ad copy headline). Contrast this to multivariate testing, where multiple different elements are tested at a time. However, A/B tests are simpler and easier to implement than multivariate tests.

Multivariate Testing

In multivariate testing, you identify different sections/factors on a page which effect conversion rate. Different variations of those factors are created, which are then combined to give rise to multiple different versions of the website. Multivariate tests take more time than A/B tests to show results, but are more likely to produce better results.

Key point: Create variations.

Conducting Tests

Coming back to the challenge of increasing downloads for the software page, I used my own tool, Visual Website Optimizer, that provides a visual interface for creating variations, but you could use other tools as well. An obvious solution to make visitors notice the download link is to make the download section the most prominent part of the page. In the page design, the “Download� heading size and color blended well into the rest of the page, which resulted in people missing the download link.

For the multivariate test, I selected two factors on the page for creating variations: the “Download� heading in the sidebar and the “PDFProducer� download link below it. The focus of the test was to observe the effect of the word “free,� and the effect of highlighting the download section. Here are the variations I came up with for this test:

For “Download� headline:

  • “Downloadâ€� in red
  • “Download for Freeâ€� in red
  • “Downloadâ€� in default color, but a larger font size

For “PDFProducer� link:

  • “PDFProducerâ€� in default color, but a larger font size
  • “PDFProducerâ€� in red

In a multivariate test, different variations are combined to produce multiple versions of the Web page. In this case, combining the above variations, a total of 12 (4×3) different versions were produced (automatically), each with a unique combination of “Download� headings and “PDFProducer� links (variation 1 is the control, or default, variation).

Combinations in Multivariate Testing in Action: Five Simple Steps to Increase Conversion Rates
Different versions of the download section used in the multivariate test.

For definition’s sake, because I have combined variations of two different sections, the test is called a multivariate test. If I had just varied a single section, say the “Download� heading, the test would have been called an A/B split test.

Key point: Define the goal of the test.

Every test has a goal against which the performance of different versions is measured. In this case, the goal was the number of downloads. Other types of goals may be sign-ups, purchases, clicks, leads, page views, or bounce rate. It is important to define the goal which is closest to your business objectives. For example, an eCommerce store optimizing for sales shouldn’t define clicking on the “Add to Basket” button as a goal. Rather, it should define the goal as a visit to the “Thank you” page after a purchase is completed.

Step 4. Running the Test and Analyzing Results

What an A/B split or multivariate test does, is simple: whenever a visitor arrives on your Web page, it displays a randomly chosen version of the Web page. In other words, your traffic gets equally distributed amongst different versions. The performance of the different versions is tracked against the conversion goal(s) defined for the test. For example, in my case the goal was increasing the number of downloads; each time a visitor downloaded the software, Visual Website Optimizer tracked which Web page version was shown to the visitor. Setting up a test using this tool helped here as I could select the sections, make variations in a WYSIWYG editor, and immediately preview how it will look live on the page.

After a large number of visitors have been included in the test, different versions are compared to see which one of them performed the best and how much improvement (over the default) it achieved.

Key point: Analyze the results.

After running the test for about 4 weeks, I had results for my software download test. Can you guess which variation resulted in maximum downloads? Any guesses on how much improvement I was able to achieve over the existing 40% download conversion rate?

Hold your breath, here are the results:

#DetailsConversion rate% ImprovementConfidence*
1Default combination (control)39.4%--
10“Download for Free� in red, default “PDFProducer� link63.2%60%99%
9“Download� in big font, “PDFProducer� link in red56.5%43.3%98%
12“Download for Free� in red, “PDFProducer� link in red54.2%37.7%95%
……………
2“Download� as default, “PDFProducer� in big font41.3%4.76%56%

Note: % improvement over default is calculated as 100*(Variation % – Control %)/(Control %)
# refers to the combination number as described in the screenshot above
Confidence*: Statistical confidence in beating the default combination.

You can observe that the headline “Download for Free� in red pushed the download conversion rate from 39% to 63%, a whopping increase of 60%. Having “Download� in large font size (combined with link color as red) also had a positive (43%) improvement over the default. Of all results, the top three are statistically significant at 95% or more confidence level. It means that I can safely implement winning versions on the Web page, to see a permanent increase in downloads. Also note that even the worst performing combination has about a 4% improvement over the control, though it is not statistically significant.

A common concern is that the test results may not be reliable and that the improvement seen may be due to chance. It is, therefore, important to understand different parameters that influence reliability:

  • Number of visitors: the higher the number of visitors, the more reliable the results. You can use tools such as a split test duration calculator, to estimate how many visitors will be required for your test.
  • Conversion rate: in general, results for pages with a low conversion rate (say 1-2%) take a much longer period to produce statistically significant results, than pages with a higher conversion rate (say 40-50%).
  • Difference in performance: testing with a large difference in the performance of variations (say >10%) is always more reliable than one where the difference is extremely small (0.5% or so).

It is important to either use a tool which automatically crunches the reliability of results for you, or to use online calculators to gauge the confidence in results. Taking unreliable results and implementing them can actually cause decreased performance. The exact mathematics of what goes on behind split testing reliability analysis can be read in the 20bits article Statistical Analysis and A/B Testing, or my blog article Mathematics of A/B testing.

Step 5. Learn From the Test Results

Irrespective of whether improved versions of your page are found or not, every test ends up with a good amount of learning. Here are a couple of key takeaways from my test:

  • The word “Freeâ€� is a very powerful attention grabber. You are doing a sub-optimal job if you offer something for free, and don’t make that super-obvious on the page.
  • Best location for advertising your “Freeâ€� offer is near (or on) a call-to-action. Like in this case, “Download for Freeâ€� is displayed quite close to the download link itself.
  • This brings us to next important point: why not make the word “freeâ€� clickable? I am sure if I had analyzed the location of clicks on the page, I would have found a lot of visitors clicking on the “Download for Freeâ€� headline, only to realize it is not a link. I should have definitely tested a version with a clickable headline.
  • The color red, matters, but only if it is combined with other elements such as “Freeâ€� (or other effective call to action texts). Red may bring attention to your call to action, but if the text is not persuasive, the visitor will probably not take any action.
  • The size of your call to action also matters. A larger size tells the visitor that you consider this particular section (in this case, downloading the application) more important than the other parts of the page.

Even if you don’t remember any of the points above, please take home one key point: don’t replicate the suggestions above without testing them on your website! Every website is unique, every conversion goal is different. While generic observations about the effect of the word “Free,� of the color red, and of the size of your call to action make logical sense, it is always wise to be sure of their effectiveness by setting up a quick test.

A/B split testing holds a lot of potential for positively impacting a company’s revenue and profits. In spite of that, surprisingly, adoption of testing is not that high. If you haven’t done any A/B split tests yet, why is that so? If you have done A/B split or multivariate tests in the past, please share your experiences in the comments below so that others can get to know real-world examples.

Related posts

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© Paras Chopra for Smashing Magazine, 2010. | Permalink | Post a comment | Add to del.icio.us | Digg this | Stumble on StumbleUpon! | Tweet it! | Submit to Reddit | Forum Smashing Magazine
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The Different Ways We Can Keep Up With Evolving Technologies

Technologies evolve quicker than we can imagine. As soon as we think, we have mastered one web technology, a new better, expanded, and more flexible version or technology releases that switches the demand of the market to it, making you start learning the new technology as if you have never known it before. To many of us, including myself, it seems frustrating to have known one technology or version of technology very well to having to relearn most of it over a routinely based time frame.

For example, many have mastered HTML and CSS and felt confident enough to expand out onto new hacks and workaround methods that they completely forgot about the new technology that has recently arisen: HTML5 and CSS3. As HTML5 and CSS3 hit the market, they felt behind as web designers and developers as everyone around them understands the new technology while they have no idea what it may be about, and what is so great about the new versions or updates.

In order to avoid such results and to keep one-step ahead in the ever-evolving industry, we discuss several methods and techniques to keep up with the evolving technologies.

Technology Blogs

One of the easiest ways to keep up with the news on evolving technologies is to follow blogs that cover exactly that. Save the blog as a bookmark, have email notifications or RSS feeds setup, that way whenever new web technologies are announced, you will be one of the first to know about it.

This helps you understand the evolving market better, as well as keeps you in the loop ready to answer any questions clients may have about these new technologies. The worst to happen to you is to have clients ask you about the new web technologies when you have no idea whether they are available or not or how they work or affect the industry. Therefore, staying on top of the game is very important.

Official Sites

If technology blogs do not suit you well and are too slow for you to keep up with the industry, the best method you can follow is to keep updated with the official websites of the technologies you need to follow. This way, whenever any of these web technologies are changed, enhanced, or updated, you will know straight away as well as learn how to work with the new changes immediately by following through with their provided documentation.

Act on It

Keeping up to date with the new evolving web technologies is not enough to understand them and act on it. Instead, as they introduce new elements to these technologies reading about them then diving right into working with the new additions or changes actually helps you improve your skills along the way, and when these evolving technologies release mainstream as a whole, you will have a much better understanding about the changes and additions more than anyone else as you have constantly expanded on your skill set by expanding step by step into the changes and or additions.

For example, taking a look at CSS3, we realize that we were not following it as much as we should have, and we are now understanding what is new to it by following blogs that also just found out about certain additions. What this does is, you will be behind on months of information provided to the industry, and your learning process by expanding into the new version is slowed down greatly, always limiting what you can do and what you know about it. Therefore, always follow new information provided to the industry, and act on it accordingly.

Play with Delicious Samples

When you walk into a candy store or a bakery, you are always surprised by delicious samples they throw at you hoping you would enjoy what you just ate, and become a full time buyer of those products you sampled. Similarly, by not just getting hands on through tutorials or information, but rather by downloading working samples to play with you will be able to understand the technologies used a lot better than just theory.

Take the samples modify them, take them apart, break them, and make them work again. This allows you to fully understand what each element does and how it affects things overall, and what happens when you cause it to fail or break. This not only makes you a better developer, but it also helps you dive head first into the evolving technologies giving you a better understanding of how things actually work, and what type of effect they have, and how effective they are.

Watch Them Evolve

Sometimes getting hands on is not generally what you want but rather something overkill for the current time being. If that is the case for you, a better idea to keep up with the evolving technologies is to watch them evolve and transition into what they are today. Think of it as a bird’s eye view overlooking the landscape, watching animals flock, vehicles cross roads, and masses move. Using that concept, by watching the technologies evolve, you can better understand how they are moving to forecast how they will move in the future to better prepare you for what might be coming rather than what has already arrived.

The advantage of having the bird’s eye view is that you can prepare yourself or your firm for a transition into the future before the future arrives. This provides you and or your firm a running start to what can be done with these new technologies, keeping you and or your firm ahead of competitors in the industry and making you a leader instead of a follower.

To conclude, keeping up with the evolving technologies really depends on your motive and or current career. If you career or business depends on keeping up to date with evolving technologies, then it is in your best interest to acquire the information on new technologies the minute they are available. While there may be other methods out there to keep you following with evolving technologies, we hope the methods mentioned will help you get your ideas and methods formulated to work best for you.


How To Use the “Seven Deadly Sins� to Turn Visitors into Customers

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Since the beginning of time, people have exploited the human desire to sin so that they could achieve their goals. Finding out what causes people to sin helps us understand the triggers which prompt people to take an action. The Web has made it even easier to exploit these tendencies to sin, in order to build user engagement and excitement about your service or product. In this article we’ll show examples of how successful companies exploit the tendency to conduct all the famous Seven Deadly Sins, and in turn generate momentum with their website visitors. Ready? Let’s roll.

Sin #1: Pride

Pride is defined as having an excessively high opinion of oneself. You must remember someone from your school days who had an extremely high sense of their personal appearance or abilities. That’s pride at work. On the Web, this sin will help you sell your product. Every website visitor wants to be associated with a successful service that other people might find impressive.

People want to say: “Yes, Fortune 500 companies use this tool and I use it as well,� or “Yes, I got on the homepage of Dribbble in front of thousands of other designers; that’s the type of work I do.� In all these examples, people are proud of their achievements and the website helps them show their pride. Here are examples of this first sin in action:

Showing off your customers. People want to use tools that big brands use. SEOmoz does a great job of fronting up the logos of famous companies that pay for their tools, with a simple call to action prompting you to be as successful as these top brands. This entices users to try this tool: “I want to use something big brands use.”

Prideseomoz in How To Use the “Seven Deadly Sins� to Turn Visitors into Customers

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Fronting up the top users. People want to be considered the best. You are proud to be nominated or picked to be the best. You brag about it to your friends. You mention your accomplishments to your significant other. You want to to be picked as the best one, over thousands of others. Dribbble fronts up top designs on their homepage. This forces people to use their website more and more, to get to the top. A little pride on your site just might get many more customers to use your service.

Dribble in How To Use the “Seven Deadly Sins� to Turn Visitors into Customers

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Sin #2: Gluttony

Most people think of gluttony in terms of eating. However, the more generic definition of this sin is over-consuming something to the point that it is wasted. It’s a desire to consume more than you can possibly consume. On the Web, companies use this sin to seduce the user into signing up by promising an endless supply of goods.

How many times have you seen “Unlimited� as one of the motivators to get you to buy a tool or service? We are a consumer generation. We want more and more awesome functionality and coolness for our money. The more a website promises us for our money, the more likely you are to sign up. Here are examples of this sin in action:

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The unlimited gluttony of features for a cheap price drives people to sign up for a product or service. If you want to attract user’s attention, create a valuable offer and provide unlimited resources for customers to use or collect.

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Sin #3: Sloth

In the modern view, “sloth” means laziness and indifference. Let’s face it, some of us are extremely lazy by nature. If we don’t have to do something, we’d rather not do it. On the Web, this sin is seen as making tasks overly simple and easy for potential customers. Products and services which “do all the hard work for youâ€� win customers over. Here are some examples of this technique in action:

Making posting a blog post ridiculously easy from anywhere. Posterous is another example of sloth. Don’t want to invest too much time in a blog post? Want to just email or text message your blog post to post it? Solved. Now you don’t have to worry about the formatting, the look and feel, or any other details. You just email the text for your blogs and Posterous takes care of all the details.

Making finances ridiculously easy. Mint is a great example of sloth. Who really wants to spend their time looking for the best interest rates for their savings accounts? Who wants to track their spending? All I have to do is give Mint my financial details and it will tell me where I’m overspending, and also look through thousands of banks to give me the best deals. The tagline reads: “We download and categorize your balances and transactions automatically every day—making it effortless to see graphs of your spending, income, balances, and net worth.� I could do all this on my own, but I’m lazy, and I want someone else to do this for me.

Sin #4: Envy

Envy is when you want something others have. You’re so envious of people that have a status or possession you want, that you’re willing to do what ever it takes to get. On the Web you see this in envy for reward points, followers, friends, and private invites. Here are examples of this in action:

Achieving a status. Mayorship in Foursquare is a great example of this. Ever hear something like this from someone you know: “Who has the mayorship of the Starbucks I go to? Oh, he has only 35 check-ins. I’ll totally beat him next week.â€� People want that “mayor” status. They’re envious of the person that has it. This drives people to use Foursquare more and more to achieve that status.

Envy-four in How To Use the “Seven Deadly Sins� to Turn Visitors into Customers

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Rockmelt is a web browser that can be downloaded only per invite. The developers portray the browser as “your browser, re-imagined.â€� They ask folks who want to join, to connect via Facebook and request an invite. Once you’ve done it, your friends on Facebook who already use Rockmelt can see that you asked for an invite and send you one through the browser’s interface.

Rockmelt in How To Use the “Seven Deadly Sins� to Turn Visitors into Customers

You might also check up on whether existing members share invite codes on Twitter. This exclusivity creates envy in people who don’t have invites. This envy fuels their desire to constantly seek an invite to Rockmelt, all the time. Once you actually become a user of the tool, you feel like you’re part of an exclusive club and are strongly encouraged to engage with the tool.

Give people something to envy on your website, and you’ll see more loyal users engaging with your service or product.

Sin #5: Lust

Lust is usually thought of as excessive sexual desire. On the Web, this sin translates into our desire to buy sexy, shiny things which not all of us can afford. Websites use interactivity with large, bold, rotating images to seduce us into buying the gadget. Here is an example of lust in action:

Providing the ability to play around and view the product. In web design, lust is often triggered by professional product photography which appears shining, attractive and exclusive in its own right. Rolex’s website is an example of this. The sliding gallery encourages the site visitors to explore the site which is not just a showcase of Rolex’s products, but rather an exhibition of company’s image, style, philosophy and branding.

Rolex in How To Use the “Seven Deadly Sins� to Turn Visitors into Customers

Rolex tells the story about the quality of its products, their precision and aesthetic appeal. Notice how the designers provide animations and various views for each product, making it more interesting and desireable.

Volkswagen does a good job of seducing people into buying their cars. Its interactive website lets you customize and build your own version of the car you’re interested in. It is even possible to paint the car in whichever color you like. The process of pimping your car in the way you want, makes you lust over the car you’ve just “created.” In this example, our lust for shiny things is exploited. The more we interact with the Volkswagen website, the more we want to buy their product.

Vwlust1 in How To Use the “Seven Deadly Sins� to Turn Visitors into Customers

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Sin #6: Greed

Greed is an overly excessive pursuit of status, power and wealth. It’s the desire to have more than you need or deserve. The pursuit is so strong that one would go through any means necessary to fulfill it. On the Web, this sin is seen in the desire to gain influence, followers and power.

Being hungry for more Twitter followers. Twitter is the perfect example of a website where all of us are hungry for more followers. The famous wars of Ashton Kutcher, Oprah, CNN and Britney Spears for more followers, shows us how greed gets the best of us. The more followers we have, the more influence we have over people. All of us are greedy for these followers.

Getting power through more Digg followers. The original model behind Digg was very simple: you “digg” a specific piece of news, or a website. Your friends see this, and “digg” this same article, moving it to the top. The top articles on the Digg homepage get millions of people checking them out. The more friends you have, the easier it is for you to move any news to the top. A person who has 500,000 friends can move a story to the top of Digg in minutes, as opposed to someone who is just starting out. People at the top have much more power over everyone else. The greed for friends on Digg is what keeps us hungry for more.

In these examples above, we are hungry to gain influence and power and want to engage with the  service to fulfill our goal.

Sin #7: Wrath

Last but not least, wrath is defined as uncontrolled feelings of rage, anger and hatred. On the Web, this sin is used by companies to generate gossip and buzz around their product or service.

Encouraging criticism. Amazon is a perfect example of using wrath to create controversy and more engagement with the product. The website fronts up the most helpful critical review, right beside the most helpful, favorable review. This prompts the shoppers to respond to these reviews and to add their own reviews, as they try the product out.

Amazonwrath in How To Use the “Seven Deadly Sins� to Turn Visitors into Customers

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Catering to frustration. The Consumerist is a perfect example of using consumer frustration to generate content and activity on a website. Giving angry shoppers the ability to vent and to express their frustrations, generates tremendously long discussions and activity on the website. The concept of consumer anger is rooted deep in the Consumerist tagline:

Consumerist in How To Use the “Seven Deadly Sins� to Turn Visitors into Customers

Furthermore, as you use the website and vent your anger about products, you get even more worked up about banners such as these (found on the Consumerist website):

Wrath-Consumerist-2 in How To Use the “Seven Deadly Sins� to Turn Visitors into Customers

Conclusion

You can now see in what way the results sinning on the Web generate for your business. Keep in mind that when companies try to get their customers to sin too hard, it’s usually very apparent and often results in drawing potential customers away. It’s important to maintain a good balance between sin and common sense. Next time you’re creating a website for a product or service, think back to these examples of the Seven Deadly Sins in action and see how you can use them to your advantage. Now go out there and get your customers to sin. What are you waiting for?

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Creative and Effective Package Designs

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The design on any product is what gives your potential customer the first impression of it. That is why it is very important that you break the customary rules and make your product stand out from the rest. A beautifully designed packaging will have huge appeal to your target market and it can influence the buyer’s decision. In today’s post, we have collected around 50 effective and creative package designs that will inspire you and perhaps make some realize how important it really is to value the hard work behind the designs on products out there in the market.

Creative Package Designs

Jooze

Packingdesign31 in Creative and Effective Package Designs

Porkinson Banger

Packingdesign35 in Creative and Effective Package Designs

Koberg Vilt

Packingdesign47 in Creative and Effective Package Designs

Colier

Packingdesign37 in Creative and Effective Package Designs

Packingdesign37b in Creative and Effective Package Designs

Coca-Cola Mystic

Packingdesign6 in Creative and Effective Package Designs

EarBudeez Earbud-Style Headphones

Packingdesign8 in Creative and Effective Package Designs

Packingdesign9 in Creative and Effective Package Designs

Wild Bag

Packingdesign18 in Creative and Effective Package Designs

DKNY Candy Apples Parfume

Packingdesign28 in Creative and Effective Package Designs

BYO

Packingdesign40 in Creative and Effective Package Designs

Panadol

Packingdesign44 in Creative and Effective Package Designs

Gloji Super Juice

Packingdesign46 in Creative and Effective Package Designs

Eco Coke Bottle Design

Packingdesign3 in Creative and Effective Package Designs

Ben Schlitter: 18 Questionable Songs

Packingdesign4 in Creative and Effective Package Designs

DB Export

Packingdesign5 in Creative and Effective Package Designs

Doritos Packaging Concept

Packingdesign1 in Creative and Effective Package Designs

Salomon Packaging

Packingdesign2 in Creative and Effective Package Designs

Coffee Cup Face Art

Packingdesign7 in Creative and Effective Package Designs

Bell TV

Packingdesign10 in Creative and Effective Package Designs

Apple Magic Mouse

Packingdesign11 in Creative and Effective Package Designs

Made of Frutz

Packingdesign12 in Creative and Effective Package Designs

Lukafe: Jail

Packingdesign13 in Creative and Effective Package Designs

Mixed Emotions

Packingdesign14 in Creative and Effective Package Designs

Zipp Infuzions

Packingdesign15 in Creative and Effective Package Designs

Porto Novo

Packingdesign16 in Creative and Effective Package Designs

Yuan Gao’s Pates

Packingdesign17 in Creative and Effective Package Designs

Scent Stories

Packingdesign19 in Creative and Effective Package Designs

Limite

Packingdesign20 in Creative and Effective Package Designs

Kjaer Weis Makeup

Packingdesign21 in Creative and Effective Package Designs

360 Paper Bottle

Packingdesign22 in Creative and Effective Package Designs

Camelia

Packingdesign23 in Creative and Effective Package Designs

Packaging Experiment

Packingdesign24 in Creative and Effective Package Designs

Acra

Packingdesign25 in Creative and Effective Package Designs

Lite2go

Packingdesign26 in Creative and Effective Package Designs

DKNY Fresh Blossom Rollerball Duo

Packingdesign27 in Creative and Effective Package Designs

Microsoft ARC Mouse

Packingdesign29 in Creative and Effective Package Designs

Elesee Perfume

Packingdesign30 in Creative and Effective Package Designs

Ping Energy Drink

Packingdesign32 in Creative and Effective Package Designs

Frolick Pet

Packingdesign33 in Creative and Effective Package Designs

Incase, Premium Messenger Bags

Packingdesign34 in Creative and Effective Package Designs

Panasonic Note – Stereo Earphones Headphones

Packingdesign36 in Creative and Effective Package Designs

Antismoke Pack

Packingdesign38 in Creative and Effective Package Designs

Sexy Gourmet Food

Packingdesign39 in Creative and Effective Package Designs

Pop-up Popcorn

Packingdesign41 in Creative and Effective Package Designs

EyePet

Packingdesign42 in Creative and Effective Package Designs

Yeo Valley Big Pots

Packingdesign43 in Creative and Effective Package Designs

Packaging Design

Packingdesign45 in Creative and Effective Package Designs

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Designing for iPhone 4 Retina Display: Techniques and Workflow

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 in Designing for iPhone 4 Retina Display: Techniques and Workflow  in Designing for iPhone 4 Retina Display: Techniques and Workflow  in Designing for iPhone 4 Retina Display: Techniques and Workflow

The iPhone 4 features a vastly superior display resolution (614400 pixels) over previous iPhone models, containing quadruple the 153600-pixel display of the iPhone 3GS. The screen is the same physical size, so those extra dots are used for additional detail — twice the detail horizontally, and twice vertically. For developers only using Apple’s user interface elements, most of the work is already done for you.

For those with highly custom, image-based interfaces, a fair amount of work will be required in scaling up elements to take full advantage of the iPhone 4 Retina display. Scaling user interfaces for higher detail displays — or increasing size on the same display — isn’t a new problem. Interfaces that can scale are said to have resolution independence.

In a recent article, Neven Mrgan described resolution independence: “RI [resolution independence] is really a goal, not a technique. It means having resources which will look great at different sizes.� If it’s a goal, not a specific technique, then what techniques exist? How has Apple solved the problem in iOS?

Fluid Layouts

While apps that take advantage of Apple’s native user interface elements require a lot less work when designing for the Retina display, we’re here to talk about highly custom, graphic-driven apps that need a fair amount of work to take full advantage of the Retina display.

While not strictly a resolution-independent technique, using a fluid layout can help an app grow to take advantage of a larger window or screen by adding padding or by changing the layout dynamically. A lot of Mac, Windows and Linux apps use this method, as do some websites.

This is partially how Apple handled the difference in resolution from iPhone to iPad — a lot of UI elements are the same pixel size, but padded to make use of the extra screen real estate. The status bar is a good example of this. It works because the pixel densities of the iPhone 3GS and iPad are similar (163 ppi vs 132 ppi).

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Fluid layouts work when the change in density is minor, but aren’t any help with the iOS non-Retina to Retina display transition (163 ppi to 326 ppi). The image below demonstrates what would happen if an iPhone app was simply padded to cater for the higher resolution display of the iPhone 4. Buttons and tap areas would be the same size in pixels, but half the physical size due to the higher pixel density, making things harder to read and to tap.

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Just-in-time Resolution Independence

Another approach to handling widely different resolutions and pixel densities is to draw everything using code or vector-based images (like PDFs) at runtime. Without trying to stereotype anyone, it’s usually the approach engineering-types like. It’s clean, simple and elegant. It lets you design or code once, and display at any resolution, even at fractional scales.

Unfortunately, using vector-based images tends to be more resource-hungry and lacks pixel level control. The increase in resources may not be an issue for a desktop OS, but it is a considerable problem for a mobile OS. The lack of pixel level control is a very real problem for smaller elements. Change an icon’s size by one pixel, and you will lose clarity.

Timer-icon in Designing for iPhone 4 Retina Display: Techniques and Workflow

Neven emphasizes in his article that:

“…it is simply not possible to create excellent, detailed icons which can be arbitrarily scaled to very small dimensions while preserving clarity. Small icons are caricatures: they exaggerate some features, drop others and align shapes to a sharp grid. Even if all icons could be executed as vectors, the largest size would never scale down well.â€�

Although here he is talking exclusively about icons, his description is apt for most UI elements. The decisions involved in scaling are creative, not mechanical. Vector-based elements aren’t suitable for all resolutions, if you value quality.

Ahead-of-time Resolution Independence

The best quality results — and the method Apple chose for the iPhone 3GS to iPhone 4 transition — comes from pre-rendered images, built for specific devices, at specific resolutions: bespoke designs for each required size, if you will. It’s more work, but pre-rendering images ensures everything always looks as good as possible.

Apple chose to exactly double the resolution from the iPhone 3GS to the iPhone 4, making scaling even easier (different from the approach of Google and Microsoft — notice that this article is not relevant to the latest version of Microsoft’s mobile OS — proving yet again that controlling the entire stack has huge advantages).

Double in Designing for iPhone 4 Retina Display: Techniques and Workflow

Currently, there are three iOS resolutions:

  • 320 × 480 (iPhone/iPod touch)
  • 640 × 960 (iPhone 4 and iPod with Retina display)
  • 768 × 1024 / 1024 × 768 (iPad)

In a few years, it seems highly likely that the line-up will be:

  • 640 × 960 (iPhone/iPod touch with Retina display)
  • 1536 × 2048 / 2048 × 1536 (iPad with Retina display)
  • Some kind of iOS desktop iMac-sized device with a Retina display

There are significant differences between designing iPhone and iPad apps, so completely reworking app layouts seems necessary anyway — you can’t just scale up or pad your iPhone app, and expect it to work well or look good on an iPad. The difference in screen size and form factor means each device should be treated separately. The iPad’s size makes it possible to show more information on the one screen, while iPhone apps generally need to be deeper, with less shown at once.

Building Designs That Scale

Building apps for the iPhone 4 Retina display involves creating two sets of images — one at 163 ppi and another at 326 ppi. The 326 ppi images include @2x at the end of their filename, to denote that they’re double the resolution.

When it comes to building UI elements that scale easily in Adobe Photoshop, bitmaps are your enemy because they pixelate or become blurry when scaled. The solution is to create solid color, pattern or gradient layers with vector masks (just make sure you have “snap to pixel” turned on, where possible). While a little awkward at times, switching to all vectors does have significant advantages.

Before anyone mentions it, I’m not suggesting any of the methods are new; I’m willing to bet that most icon designers have been working this way for years. I’ve been using vector shapes for ages too, but the Retina display has changed my practice from using vector shapes only when I could be bothered, to building entire designs exclusively with vector shapes.

I usually draw simple elements directly in Photoshop using the Rectangle or Rounded Rectangle Tool. Draw circles using the Rounded Rectangle Tool with a large corner radius, because the ellipse tool can’t snap to pixel. Layer groups can have vector masks too, which is handy for complex compositing (option-drag a mask from another layer to create a group mask).

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More complex objects get drawn in Adobe Illustrator to the exact pixel size, and then pasted into Photoshop as a shape layer. Be careful when pasting into Photoshop, as the result doesn’t always align as it should — it’s often half a pixel out on the x-axis, y-axis or both. The workaround is to zoom in, scroll around the document with the Hand Tool, and paste again. Repeat until everything aligns. Yes, it’s maddening, but the method works after a few attempts. Another option is to zoom in to 200%, select the path with the Direct Selection Tool, and nudge once, which will move everything exactly 0.5px.

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Even more complex objects requiring multiple colors get drawn in Illustrator to the exact pixel size, and then pasted into Photoshop as a Smart Object. It is a last resort, though — gradients aren’t dithered, and editing later is more difficult.

If you need to use a bitmap for a texture, there are three options: use a pattern layer, a pattern layer style, or build a bitmap layer at the 2× size and turn it into a Smart Object. I prefer to use pattern layer styles in most cases, but be warned: patterns are scaled using bicubic interpolation when you scale the entire document, so they become “softer.” The solution is to create two versions of each pattern, then to manually change pattern layer styles to the correct pattern after scaling — a little tedious, but totally do-able approach.

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Scaling Up

At this point, your document should be able to scale to exactly double the size, without a hitch.

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I have a Photoshop Action set up that takes a History Snapshot, then scales to 200%. That means, previewing at the Retina display’s resolution is only a click away. If you’re feeling confident you’ve built everything well, you should be able to scale up, edit, then scale down and continue editing without degradation. If you run into trouble, a Snapshot is there to take you back. Using one document for both resolutions, means not having to keep two documents in sync — a huge advantage.

Actions2 in Designing for iPhone 4 Retina Display: Techniques and Workflow

A word of warning: layer styles can only contain integer values. If you edit a drop shadow offset to be 1 px with the document at 2× size, and then scale it down, the value will end up as 1 px because it can’t be 0.5 px (a non-integer value). If you do require specific changes to the 2× version of the Photoshop file, you’ll have to save that version as a separate file.

Exporting, Exporting, Exporting

Now for some bad news: exporting all the images to build an app can be extremely tedious, and I don’t have much advice here to assist you. As my documents act as full screen mockups, they’re not set up in a way that Photoshop’s Slice feature is any use. Layer comps don’t help either — I already have folders for each app state or screen, so switching things off and on is easy.

The best export method seems to be: enable the layers you’d like visible, make a marquee selection of the element, then use Copy Merged and paste the selection into a new document — not much fun when you have hundreds of images to export.

The problem is amplified when saving for the Retina display, where there are twice as many images and the 1× images must match the 2× images precisely.

The best solution I’ve come up with so far:

  • Build your design at 1×
  • Use Copy Merged to save all the 1× images
  • Duplicate the entire folder containing the 1× images
  • Use Automator to add @2x to all the filenames
  • Open each @2x image and run the “Scale by 200%” Photoshop action. This gives you a file with the correct filename and size, but with upscaled content
  • Scale your main Photoshop design document by 200%
  • Use Copy Merged to paste the higher quality elements into each @2x document, turn off the lower quality layer, then save for the Web, overwriting the file.

In some cases, Photoshop’s “Export Layers To Files” can help. The script can be found under the File menu.

Mac Actions and Workflows

All the Actions and Workflows that I use myself can be downloaded from the blog post link below. The Automator Workflows can be placed in your Finder Toolbar for quick access from any Finder window, without taking up any space in your Dock.

Download: Retina Actions and Workflows.zip

Promo-2x in Designing for iPhone 4 Retina Display: Techniques and Workflow

Fortunately, Apple chose to exactly double the resolution for the iPhone 4, and for using ahead-of-time resolution independence. As complex as the process is now, things would have been far worse if they had chosen a fractional scale for the display.

Related Posts

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